DESBOIS (Henri), FRANÇON (André) and KEREVER (André) – INTERNATIONAL CONVENTIONS ON COPYRIGHT AND RELATED RIGHTS
DESBOIS (Henri), FRANÇON (André) and KEREVER (André) – INTERNATIONAL CONVENTIONS ON COPYRIGHT AND RELATED RIGHTS
DESBOIS (Henri), FRANÇON (André) and KEREVER (André) – INTERNATIONAL CONVENTIONS ON COPYRIGHT AND RELATED RIGHTS
    DESBOIS (Henri), FRANÇON (André) and KEREVER (André)
    INTERNATIONAL COPYRIGHT AND RELATED RIGHTS CONVENTIONS
Édition :
    Paris
Date :
    1976
    octavo, hardcover publisher's binding, INVOICE FROM THE AUTHOR TO DEAN LOUSSOUARN, good condition, 452 p.
    "The work recently published by Henri Desbois, André Françon, and André Kerever, *International Conventions on Copyright and Related Rights*, is not one that can be easily reviewed. There are two reasons for this. First, the subject matter is among the most complex, not only because of the problems posed by determining their legal nature and their place in classifications, but also because of the very understanding of the legal object in domestic legislation and international conventions. More than other areas, sensitive to economic and technological transformations, as well as to challenges and even outright theft, copyright is contested either because it grants a monopoly to authors of literary works, musical compositions, and works of visual art, or because it is not sufficiently shared with the numerous 'auxiliaries' of intellectual and artistic creation, such as performers, record manufacturers, and radio and television broadcasters. Second, the chosen subject is difficult to address." Approaching the study of international copyright and related rights conventions requires a meticulous analysis of, on the one hand, the Berne Convention (1886), the Geneva Convention (1952), and the Paris Convention (1971), as well as the numerous earlier instruments that remain in force in certain states that did not adopt the decisions of the Paris Conference, and on the other hand, the Rome Convention (1961), the Geneva Convention (1971), and the Brussels Convention (1974). This clearly demonstrates the extreme complexity of the subject. It took the full expertise of Messrs. Desbois, Françon, and Kerever to successfully complete such an undertaking. The work is presented in two parts: international copyright conventions and conventions relating to related rights, followed by a bibliography and the texts analyzed. This book will appear to all those concerned with the problems posed by the application of these conventions as the essential reference work. » (R. Le Moal, in RIDC n° 2/1978, p. 682).

Référence : 56374

120,00 €

Mots-clés : Private international law, Literary, artistic & industrial property

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